Wednesday, August 31, 2011

Anne Lamott, "Time Lost and Found"

"I sometimes teach classes on writing, during which I tell my students every single thing I know about the craft and habit. This takes approximately 45 minutes. I begin with my core belief—and the foundation of almost all wisdom traditions—that there is nothing you can buy, achieve, own, or rent that can fill up that hunger inside for a sense of fulfillment and wonder. But the good news is that creative expression, whether that means writing, dancing, bird-watching, or cooking, can give a person almost everything that he or she has been searching for: enlivenment, peace, meaning, and the incalculable wealth of time spent quietly in beauty.
Then I bring up the bad news: You have to make time to do this.
This means you have to grasp that your manic forms of connectivity—cell phone, email, text, Twitter—steal most chances of lasting connection or amazement. That multitasking can argue a wasted life. That a close friendship is worth more than material success.
Needless to say, this is very distressing for my writing students. They start to explain that they have two kids at home, or five, a stable of horses or a hive of bees, and 40-hour workweeks. Or, on the other hand, sometimes they are climbing the walls with boredom, own nearly nothing, and are looking for work full-time, which is why they can’t make time now to pursue their hearts’ desires. They often add that as soon as they retire, or their last child moves out, or they move to the country, or to the city, or sell the horses, they will. They are absolutely sincere, and they are delusional.
I often remember the story from India of a beggar who sat outside a temple, begging for just enough every day to keep body and soul alive, until the temple elders convinced him to move across the street and sit under a tree. Years of begging and bare subsistence followed until he died. The temple elders decided to bury him beneath his cherished tree, where, after shoveling away a couple of feet of earth, they found a stash of gold coins that he had unknowingly sat on, all those hand-to-mouth years.
You already have the gold coins beneath you, of presence, creativity, intimacy, time for wonder, and nature, and life. Oh, yeah, you say? And where would those rascally coins be?
This is what I say: First of all, no one needs to watch the news every night, unless one is married to the anchor. Otherwise, you are mostly going to learn more than you need to know about where the local fires are, and how rainy it has been: so rainy! That is half an hour, a few days a week, I tell my students. You could commit to writing one page a night, which, over a year, is most of a book.
If they have to get up early for work and can’t stay up late, I ask them if they are willing NOT to do one thing every day, that otherwise they were going to try and cram into their schedule.
They may explain that they have to go to the gym four days a week or they get crazy, to which I reply that that’s fine—no one else really cares if anyone else finally starts to write or volunteers with marine mammals. But how can they not care and let life slip away? Can’t they give up the gym once a week and buy two hours’ worth of fresh, delectable moments? (Here they glance at my butt.)
Can they commit to meeting one close friend for two hours every week, in bookstores, to compare notes? Or at an Audubon sanctuary? Or a winery?
They look at me bitterly now—they don’t think I understand. But I do—I know how addictive busyness and mania are. But I ask them whether, if their children grow up to become adults who spend this one precious life in a spin of multitasking, stress, and achievement, and then work out four times a week, will they be pleased that their kids also pursued this kind of whirlwind life?
If not, if they want much more for their kids, lives well spent in hard work and savoring all that is lovely, why are they living this manic way?
I ask them, is there a eucalyptus grove at the end of their street, or a new exhibit at the art museum? An upcoming minus tide at the beach where the agates and tidepools are, or a great poet coming to the library soon? A pond where you can see so many turtles? A journal to fill?
If so, what manic or compulsive hours will they give up in trade for the equivalent time to write, or meander? Time is not free—that’s why it’s so precious and worth fighting for.
Will they give me one hour of housecleaning in exchange for the poetry reading? Or wash the car just one time a month, for the turtles? No? I understand. But at 80, will they be proud that they spent their lives keeping their houses cleaner than anyone else in the family did, except for mad Aunt Beth, who had the vapors? Or that they kept their car polished to a high sheen that made the neighbors quiver with jealousy? Or worked their fingers to the bone providing a high quality of life, but maybe accidentally forgot to be deeply and truly present for their kids, and now their grandchildren?
I think it’s going to hurt. What fills us is real, sweet, dopey, funny life.
I’ve heard it said that every day you need half an hour of quiet time for yourself, or your Self, unless you’re incredibly busy and stressed, in which case you need an hour. I promise you, it is there. Fight tooth and nail to find time, to make it. It is our true wealth, this moment, this hour, this day."
Tonight I watched, 'The Last Emperor," the Valentino documentary. It was really charming. Valentino was filthy rich and fabulous, and his relationship with his longtime partner, Giancarlo Giammetti, was so cute and funny and touching and wonderful it made me teary eyed a couple of times.

Plus, let's talk about Matteo Marzotto, the sixth-generation textiles merchant who turned the Valentino brand around. He is sooo good looking. He isn't the type of guy I would typically be attracted to, but he seems to be always smiling (what a great smile!) and laughing, and from what I can tell, is very intelligent yet humble. le sigh...

I actually watched all three parts of this video. So what?

Friday, August 26, 2011

you can play this one second, if it makes you feel better. and then, third:

fourth, and this is my last dying demand, I promise.

When you release my ashes into the ocean, play this song.

Thursday, August 25, 2011

I like accessories.

Jeffrey Eugenides' "The Marriage Plot"

'To start with, look at all the books. There were her Edith Wharton novels, arranged not by title but date of publication; there was the complete Modern Library set of Henry James, a gift from her father on her twenty-first birthday; there were the dog-eared paperbacks assigned in her college courses, a lot of Dickens, a smidgen of Trollope, along with good helpings of Austen, George Eliot, and the redoubtable Bronte sisters. There were a whole lot of black-and-white New Directions paperbacks, mostly poetry by people like H.D. or Denise Levertov. There were the Colette novels she read on the sly. There was the first edition of Couples, belonging to her mother, which Madeleine had surreptitiously dipped into back in sixth grade and which she was using now to provide textual support in her English honors thesis on the marriage plot. There was, in short, this mid-sized but still portable library representing pretty much everything Madeleine had read in college, a collection of texts, seemingly chosen at random, whose focus slowly narrowed, like a personality test, a sophisticated one you couldn’t trick by anticipating the implications of its questions and finally got so lost in that your only recourse was to answer the simple truth. And then you waited for the result, hoping for “Artistic,” or “Passionate,” thinking you could live with “Sensitive,” secretly fearing “Narcissistic” and “Domestic,” but finally being presented with an outcome that cut both ways and made you feel different depending on the day, the hour, or the guy you happened to be dating: “Incurably Romantic.”'

Wednesday, August 24, 2011

on repeat repeat repeat

Fuck Instagram, iphones ain't got shit on a flip. This camera phone is vintage, bitch, and here are the grainy twenty pixels to prove it.